Comparing artists and makers
Comparing two artists side by side often teaches you more than studying one alone — differences make each choice stand out clearly.
Part of your national curriculum
- Artists and context: Study the work of a range of artists, craft makers and designers, describing differences and similarities and making links to their own work
Lesson overview
What you'll learn in this lesson
Study the work of a range of artists, craft makers and designers, describing differences and similarities and making links to their own work
Key learning points
- • Describing formal qualities
- • Finding similarities and differences
- • Making links to your own work
This lesson at a glance
- 22 minutes
- 14 parts to scroll through
- 3 quick checks
- Marked quiz at the end
- Gentle pace: short sittings with pauses
Words to know
Scroll down — the lesson carries on below
Watch & discover
Part 1 of 14
Watch first
Comparing artists and makers
An English teaching video on this topic from LearnFree. Watch it, then scroll down for the lesson.
In a nutshell
Study the work of a range of artists, craft makers and designers, describing differences and similarities and making links to their own work
Learning cycle
Part 2 of 14
Learning cycle 1 of 2
Part 1 · Describing formal qualities
A short piece of teaching, then a check to make sure it has landed.
Explore the idea
Part 3 of 14
Learn
Describing formal qualities
When comparing artists, look at formal elements: colour, composition, mark-making, scale and material. For example, a painter using thick impasto paint creates texture very differently from one using thin, flat washes of colour.
Explore the idea
Part 4 of 14
Learn
Finding similarities and differences
Two artists tackling the same subject — such as a portrait or a landscape — might share a subject but differ completely in style, mood or technique. Naming exactly what is similar and what differs sharpens your own critical eye.
Quick check
Part 5 of 14
Quick check
Which of these is a 'formal quality' of art?
Reset break
Part 6 of 14
Pause
That's sitting 1 of 2 done
Stretch, get a drink, look out of the window. There is no timer and nothing is counting down — your place is saved, so you can come back in five minutes or tomorrow.
Quick check
Part 7 of 14
Quick check
Why compare two artists on the same subject?
Learning cycle
Part 8 of 14
Learning cycle 2 of 2
Part 2 · Making links to your own work
A short piece of teaching, then a check to make sure it has landed.
Explore the idea
Part 9 of 14
Learn
Making links to your own work
Studying other makers is not just analysis — it should feed back into your practice. Try borrowing one technique, such as a way of applying colour or a compositional device, and adapting it in your own piece.
Quick check
Part 10 of 14
Quick check
What should studying other artists lead to?
Challenge round
Part 11 of 14
Game · Sort it
Which of these are true?
Drag each card into the right column. Tap a card first if dragging is fiddly.
True
Not true
Challenge round
Part 12 of 14
Game · Fill the gaps
Finish the sentences
Choose the word that belongs in each gap.
When comparing ____, look at formal elements: colour, composition, mark-making, scale and material.
Studying other ____ is not just analysis — it should feed back into your practice.
Mastery quiz
Part 13 of 14
Marked quiz
End of lesson quiz: Comparing artists and makers
3 questions, marked with the reasoning shown. No timer.
1. Which of these is a 'formal quality' of art?
2. Why compare two artists on the same subject?
3. What should studying other artists lead to?
Lesson round-up
Part 14 of 14
Lesson round-up
Ready when you are
Quiz score
Not sat
Games
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Points this lesson
0
Best run
0 in a row
Luna: 0 out of 3 on the practice checks. Only if you feel up to it — one more?
Ask LunaDo the work
Your written work for this lesson
This is the part you'd do in your book at school. Pick the pieces below, write here or on paper, and photograph anything you draw or work out.
Reading a portrait
Artists make choices before they make marks. A sitter placed high in the frame looks powerful; the same sitter low in the frame looks small. Light falling from one side sculpts a face into shadow and bone; flat light makes it open and plain.
Objects do work too. A book says learning, a dog says loyalty, a wilting flower says time passing. Viewers in the past read these signs as easily as we read a logo.
When you look at a portrait, ask three questions: where is the light coming from, what has the artist put in the sitter's hands, and where am I standing — above, below, or level with them?
Written for Good Learning Co.
Reading questions
- Choose a portrait and answer the article's three questions about it.
- Explain how you would light a portrait to make someone look kind.
- Plan your own portrait, listing two objects you would include and what each one says.
Sketchbook page
DiagramMake your own piece, then photograph it for your sketchbook page.
1 finished piece
Annotation
WritingWrite around your work: what you tried, what worked, what you would change.
6 sentences
Saved as you type.
Part 1 of 14 · Watch & discover
How this is going
- Not looked at yet
Study the work of a range of artists, craft makers and designers, describing differences and similarities and making links to their own work
