Beyond the pencil: 3D, print and digital media
Flat paper is only one option. Sculpture, printmaking, collage and digital tools all let you develop an idea in a completely different way.
Part of your national curriculum
- Practical skills: Work in three dimensions and with other media such as printmaking, collage and digital imaging
Lesson overview
What you'll learn in this lesson
Work in three dimensions and with other media such as printmaking, collage and digital imaging
Key learning points
- • Working in three dimensions
- • Printmaking
- • Collage and digital imaging
This lesson at a glance
- 25 minutes
- 14 parts to scroll through
- 3 quick checks
- Marked quiz at the end
- Gentle pace: short sittings with pauses
Words to know
Scroll down — the lesson carries on below
Watch & discover
Part 1 of 14
Watch first
Beyond the pencil: 3D, print and digital media
An English teaching video on this topic from Jescia Hopper. Watch it, then scroll down for the lesson.
In a nutshell
Work in three dimensions and with other media such as printmaking, collage and digital imaging
Learning cycle
Part 2 of 14
Learning cycle 1 of 2
Part 1 · Working in three dimensions
A short piece of teaching, then a check to make sure it has landed.
Explore the idea
Part 3 of 14
Learn
Working in three dimensions
Sculpture and relief work force you to think about form from every angle, not just one viewpoint. Simple materials such as clay, card or wire can be built, carved or assembled to explore mass, space and balance.
Explore the idea
Part 4 of 14
Learn
Printmaking
Relief printing (like lino or polystyrene) cuts away what you don't want inked, so the raised surface takes the ink. Printmaking naturally produces repeatable, bold marks and encourages designing in reverse and in strong shapes.
Quick check
Part 5 of 14
Quick check
What happens in relief printing?
Reset break
Part 6 of 14
Pause
That's sitting 1 of 2 done
Stretch, get a drink, look out of the window. There is no timer and nothing is counting down — your place is saved, so you can come back in five minutes or tomorrow.
Quick check
Part 7 of 14
Quick check
What is a key benefit of working digitally?
Learning cycle
Part 8 of 14
Learning cycle 2 of 2
Part 2 · Collage and digital imaging
A short piece of teaching, then a check to make sure it has landed.
Explore the idea
Part 9 of 14
Learn
Collage and digital imaging
Collage combines found materials — paper, fabric, photographs — to build texture and meaning quickly. Digital imaging software lets you layer, distort and combine images non-destructively, so you can experiment freely before committing.
Quick check
Part 10 of 14
Quick check
Collage is best described as building an image from...
Challenge round
Part 11 of 14
Game · Sort it
Which of these are true?
Drag each card into the right column. Tap a card first if dragging is fiddly.
True
Not true
Challenge round
Part 12 of 14
Game · Fill the gaps
Finish the sentences
Choose the word that belongs in each gap.
____ naturally produces repeatable, bold marks and encourages designing in reverse and in strong shapes.
____ combines found materials — paper, fabric, photographs — to build texture and meaning quickly.
____ imaging software lets you layer, distort and combine images non-destructively, so you can experiment freely before committing.
Mastery quiz
Part 13 of 14
Marked quiz
End of lesson quiz: Beyond the pencil: 3D, print and digital media
3 questions, marked with the reasoning shown. No timer.
1. What happens in relief printing?
2. What is a key benefit of working digitally?
3. Collage is best described as building an image from...
Lesson round-up
Part 14 of 14
Lesson round-up
Ready when you are
Quiz score
Not sat
Games
Not played
Points this lesson
0
Best run
0 in a row
Luna: 0 out of 3 on the practice checks. Only if you feel up to it — one more?
Ask LunaDo the work
Your written work for this lesson
This is the part you'd do in your book at school. Pick the pieces below, write here or on paper, and photograph anything you draw or work out.
Reading a portrait
Artists make choices before they make marks. A sitter placed high in the frame looks powerful; the same sitter low in the frame looks small. Light falling from one side sculpts a face into shadow and bone; flat light makes it open and plain.
Objects do work too. A book says learning, a dog says loyalty, a wilting flower says time passing. Viewers in the past read these signs as easily as we read a logo.
When you look at a portrait, ask three questions: where is the light coming from, what has the artist put in the sitter's hands, and where am I standing — above, below, or level with them?
Written for Good Learning Co.
Reading questions
- Choose a portrait and answer the article's three questions about it.
- Explain how you would light a portrait to make someone look kind.
- Plan your own portrait, listing two objects you would include and what each one says.
Sketchbook page
DiagramMake your own piece, then photograph it for your sketchbook page.
1 finished piece
Annotation
WritingWrite around your work: what you tried, what worked, what you would change.
6 sentences
Saved as you type.
Part 1 of 14 · Watch & discover
How this is going
- Not looked at yet
Work in three dimensions and with other media such as printmaking, collage and digital imaging
